I earned the Poynter ACES Certificate in Editing yesterday from Poynter News University and American Copy Editors Society (ACES). I am a member of ACES and a guest member of Editorial Freelancers Association (EFA). Would you like to hire me to polish your prose?
I consider myself competent to offer both proofreading and basic copy editing services. What’s the difference? Proofreading is looking for SPAG errors (spelling, punctuation, and grammar). It’s typically done when a story or article is nearly ready for publication. Copy editing includes finding and correcting SPAG errors, but also checking for jargon, wordiness, awkward transitions, a character who changes the spelling of her name from chapter three to chapter seven, and making sure that the article fits the preferred style of the intended publication. For an excellent explanation of copy editing vs. proofreading, I recommend this article.
For basic copy editing, I charge $25 an hour, at an estimated pace of 5-10 manuscript pages per hour.
For proofreading, I charge $20, at an estimated pace of 10-15 manuscript pages per hour.
According to the Editorial Freelancers Association, the industry standard for a manuscript page is a firm 250 words.
For ghostwriting blogs, I charge $10 for the first 250 words, $20 for a 251-500 word article, $30 for 501-750 words, etc.
For assisting an author to format their story into standard manuscript format, my rates are negotiable depending on the length of the story and whether or not I am also copy editing that story. E-mail me to discuss it in private.
These prices are lower than the EFA suggested industry rates because the ink is barely dry on my certificate. My prices will be rising to editorial standards once I am no longer a novice, so take advantage of these low rates now. They won’t last more than a year.
“I have just gone through and implemented your recommendations, following your advice in all but the very fewest instances — the ones where you said I could get away with it as a matter of personal style. You have a magnificent eye for the errant typo, and your suggestions regarding grammar were spot-on in every instance. You definitely spotted many places where I *thought* I knew the correct spelling…but didn’t! Dalmatian and monocle and others! As Mark Twain said — I’m sure you know the quote — “It ain’t what you don’t know that gets you into trouble. It’s what you know for sure that just ain’t so.” Thank you again and again and again! You are my hero, and I cannot thank you properly!” Jefferson P. Swycaffer, author of Warsprite, Web of Futures, and the Concordat of Archive series.
“Thank you so much! And you are a great proofreader! :-)” Vera Nazarian, author of the Atlantis Grail series, Mansfield Park and Mummies, and Dreams of the Compass Rose.
§ “Erzabet and the Gladiators,” Heroic Fantasy, published by Flame Tree Publishing, July 2017
§ “Freckles and Long Neck,” Bumples issue #43, published by Bumples.com, June 2017
§ “As Prophesied of Old,” Alternative Truths, published by B Cubed Press, April 2017
§ “Captain’s Claim,” published by eSpec Books, October, 2016
§ R is for Renaissance Faire, published by Highland Heather Press, May, 201
§ Knee-High Drummond and the Durango Kid, published by Highland Heather Press, Jan. 2016
§ “The Piper’s Wife,” Sword & Sorceress #30, published by MZB Literary Trust, Nov. 2015
§ “Two Princes” and “Vixen’s Song,” Barbarian Crowns, published by Horrified Press, July 2015
§ “Thank You, Thad,” Supernatural Colorado, published by WolfSinger Publications, Jan. 2015